Popbar popped up on my radar via Pinterest. The pistachio bar with pistachio nut coating and half dark chocolate dip was a rich green and brown color and it really drew my eye.


So the next time I went to New York I had to visit the store, this was the closest one I could get to. Other locations are in California, Canada and Indonesia.

I chose the pineapple bar with white chocolate half dip and coconut toppings. It was really flavorful. The fruity bar was very refreshing on that hot day. Honestly, I think it would have been better sans the chocolate. This was a light snack that really hit the spot.




Obvious Child: Q + A


Grace asked Mia:

1. When and how did you first get interested in this movie? Did you know ofthese actors before this movie?

I watched the trailer for it and recognized Jenny Slate as “Mona Lisa” from
Parks and Recreation. Also, it being billed as an “Abortion Comedy” spiked
my attention despite the filmmakers’ aims to disassociate from that

2. How did the movie make you feel? Did it impart any feeling or message
upon you?

I appreciated that there wan an absence of message. The film, in my
opinion, was really about the struggles of a woman in her late twenties and
this “thing” happens to her and we follow this emotionally charged journey on how
she deals with life’s obstacles.

3. Do you feel the movie was trying I send a message?


4. Are you familiar with this screenwriter? What other works of
theirs have you seen?

The filmmakers behind this indie hit are all first time, feature length
writers, directors and producers. Obvious Child was based on a short film
(which most full length films are these days) and collaboration between
these professionals

5. How do you feel about abortion? How do you feel about how NY was
portrayed in the film?

I “feel” that abortion is a choice. New York, or rather, Brooklyn
was fairly represented. I enjoyed the subtle comedy of Brooklyn vs.
Manhattan, rent, independent bookstores, and obscure comedy clubs in

Mia asked Grace:

1. Describe the audience where you saw this film.

I viewed the movie at the Tivoli Theater in St. Louis. We walked in right as it was starting so I don’t remember the other movie goers. I think there were 6-8 other people plus us three. My friend Kelsey remembers two older ladies behind us. I remember seeing a young couple in front of us.

2. Was it difficult to find a theater where this film was showing?

Yes! The AMC in KC said they would have it but kept changing the date. The Tivoli here did have it but only offered 3 showings and only one I could make after I got off work at five in the afternoon. Also the Tivoli in KC is pretty far from my house in suburbia so I have to make a serious effort to get out there.

3. What was your initial reaction to the abortion scene?

There was a palpable tension as we were watching. I kept expecting something, I am not sure, more unpleasant but it was so matter of fact and Donna and Max were so cute that it relaxed the whole situation. The scene where she is sitting with all the other women after the procedure is interesting though. I felt ambiguous about it. I think I was waiting for the characters reactions and she didn’t seem to feel strongly any one way.

4. Did your perspective change at all after seeing this film?

About abortion? Not really? Maybe I feel more comfortable about it if I have to have one? I am not sure I will know how I really feel about abortion until I am in that situation where I have to make a decision.

5. What is your biggest praise and complaint on Obvious Child.

OMG! (yes, I just oh my god-ed) Max and Donna were super cute! I love their quirky relationship. She kept doing strange bizarrely hilarious things and he liked her more for them! My biggest complaint was all the awkward jokes in her comedy routine. I am terrible with awkward humor. It makes my chest hurt with awkwardness.

photo credit



BookCon, was in a word, interesting. I went into the experience not knowing really what to expect but super excited for the opportunity to see Amy Poehler talk about her upcoming book, Yes Please, due out in October.

The first observation I noted was, during my 8AM standing in line escapade with only four hours of sleep, my age and normalcy. I was surrounded by gushing teenagers donning The Fault in Our Stars T-Shirts, black banded goths who needed a healthy dose of vitamin D, and grey haired 40-somethings who never seemed to have matured into adulthood.

I did my best to keep to myself, ear buds in, trying to act too cool for school, but one young woman in line (I had a hard time guessing her age) just had to tell me about how awesome Veronica Roth is and her unrelenting excitedness to finally meet her.

Once inside, with a handful of hours to kill before Amy Poehler’s event, I attended the “We Need Diverse Books,” panel. The long and slightly narrow room filled to capacity quickly, and even an NPR reporter made an appearance. WNDB, it turns out, is a grass roots campaign aiming to bring forth change in a white-washed industry. Multiple authors of varying and diverse backgrounds came to speak and I was left inspired.

Finally, it was time for Amy Poehler. While we weren’t allowed to stand in line more than an hour prior to an event, no one really followed that rule. The security guards became upset at our non-line-line and out of spite caused chaos when the official line was allowed to form. In the end, I was adopted by two sisters, the trio of us linking arms to make our way into the new line and we stayed connected until we found our seats.

Amy Poehler’s event was what I hoped it to be. Equal parts hilarious and heartfelt, it seemed that she gave an honest interview – Martin Short moderated – and got the crowd even more anxious over the realese of Yes Please.

After Amy, I headed up to the exhibit floor to check out the Chronicle Books booth but found it roped off. Apparently Grumpy Cat was making an appearance and no one was allowed into the booth. I waited nearly an hour for Grump Cat to leave, and when he did, us non-Grumpy Cat fans were only allowed minutes inside the booth. After perhaps three minutes of Chronicle Books time, the employees herded us, telling us that they were shutting down. By this point I was quite frustrated and became belligerent because, in my eyes, an internet meme cat took precedence over the books. This was, after all, BookCon not CatCon.

On my way out, I ran into one of the WNDB authors and she gave me an advance copy of her forthcoming novel. I can’t wait to read Aisha Saeed’s Written in the Stars and if anything, I can do my part to foster change as well.

In the end, I’m not sure I’d attend BookCon again. Perhaps next year I’ll buy a BEA pass instead.

Sunday at Barney’s and Bergdorf


Often, when I have family visit me in the city, we head to up to the UES and take in the likes of Barney’s and Bergdorf Goodman. This past Sunday, I did just that with my grandma in tow. While she just wanted to step into these “fine” department stores just to see what it would be like to step into all that wealth, I wanted to go exploring.

In the end, I kind of treated the experience as if I were going to a museum, oohing and ahhing at all the desirable designer digs, but I took notes too. I discovered such brands as Mark Cross and Valextra, tried on some Yves Saint Laurent Paris pumps, and jaw dropped on a Valentino dress that easily cost $7k.

It was fun too holding up my $40 H&M black handbag and at first glance not being able to tell a discernible difference. But after letting my hands flow over the expensive leathers and silks, I knew there was quality to be had at the price tag’s defense.

Maybe next time I’ll work up the gumption to ask to try some pieces on. Not sure how that works at such a fancy store (I sound so country!), but it would be nice to know what exactly a $7k dress feels like!